Tibetan wood carving is a sublime art. Everything from Dalai Lama’s throne to incense boxes and Chemar bowls, has imprints of it. The signs of art of wood carving can be traced to as far as 7th century Tsuglakghang in Lhasa constructed during reign of King Songtsen Gampo. Wooden table paintings were also unique and popular during those times. That was said to be another branch of Tibetan art. Subjects and pictorial composition of these wooden table paintings are similar to those of thangka paintings. Beautiful wooden engravings have lavishly decorated the columns, beams, doors, windows, cross beam supports etc in Tibetan monasteries and temples. Even shrines, platforms for deities, altars, stupas and other ritualistic objects were usually adorned with wood carvings. It has also been us
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Maqbool Fida Husain or M.F. Husain was indeed India's most celebrated painter and a charismatic artist who took Indian art to world fame. He doesn't need to be introduced any more. Having forced to live in exile in his last years due to protest from fundamentalist elements on many of his paintings, galleries in India often used to have cold feet in displaying his work. Recently some of his paintings were displayed at Delhi Art Fair in Delhi. A look at few of them- Horses have always been one of his favourite character. His another painting titled Horse (appropriation) Two of his paintings from the Ganesha series Eternal Mother I (left) and II (right). Husain has painted mother a lot. Three of Husain's paintings from the 'Mother' series Paintings from Husain's 'Folklore Kera
Read MoreOn Saturday, 27 July 2013, Visions of Mughal India: The Collection of Howard Hodgkin - an exhibition of Indian paintings from the exceptional private collection of one of Britain’s most celebrated artists, Howard Hodgkin – opened at National Museum Cardiff in Wales. The collection, never shown in Wales before, comprised most of the main types of Indian court painting that flourished during the Mughal period (c. 1550–1850) e.g. the refined naturalistic works of the imperial Mughal court; the poetic and subtly coloured paintings of the Deccani Sultanates; and the boldly drawn and vibrantly coloured styles of the Rajput kingdoms of Rajasthan and the Punjab Hills. This group of works has long been considered as one of the finest of its kind in the world. On tour from the Ashmolean Museu
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