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When hulk of a ship becomes an artwork!

Norwegian Cruise Line has revealed that Eduardo Arranz-Bravo, the award-winning Spanish artist, created the hull artwork for the fourth and final ship of its Breakaway-Plus class, Norwegian Encore, debuting in Miami in November 2019. A representation of his modern and abstract style, the ship’s hull will feature a labyrinth of color inspired by Arranz-Bravo’s life by the sea in Barcelona and pay tribute to the vibrant guest experience for which the Norwegian brand is recognized.

Norwegian Encore by Norwegian Cruise Line

“Norwegian Cruise Line is a dynamic, pioneering company known for its innovative experiences and breathtaking collection of beautifully designed ships,” said Arranz-Bravo. “I am honored to not only bring that vibrancy to life even more on Norwegian Encore but also showcase my love for the ocean and my hometown of Barcelona.” Frank Del Rio, president and chief executive officer of Norwegian Cruise Line Holdings, played a key role in the selection of Arranz-Bravo as the hull artist for Norwegian Encore, having been inspired by his work for many years. Del Rio’s passion for the arts has helped elevate Norwegian’s on-board experience, most recently with the multi-million-dollar art collection curated for Norwegian Bliss. “We are well-known for our iconic hull designs and know that Arranz-Bravo’s lively design will complement the colorful destinations in the Caribbean that Norwegian Encore will visit when she debuts next year,” said Del Rio.

Also read: Vagabond at a cruise – Super Star Virgo
Spanish artist Eduardo Arranz-Bravo

Recognized for his inventive and humanistic approach to abstract art, Arranz-Bravo’s work is showcased throughout the world and portrays a constant evolution that some refer to as futuristic.  He is highly regarded, having been the recipient of countless awards and accolades, and was one of three artists chosen to represent the 1992 Olympic Games in Barcelona. “Eduardo’s design will be a perfect complement to the collection of hull artwork within our fleet and is a testament to the dynamic experience our guests will have on board,” said Andy Stuart, president and chief executive officer of Norwegian Cruise Line.  “We are proud to welcome him to our Norwegian Cruise Line family.” 

Need a choice? Read: Which are world’s most popular cruises!
Norwegian Encore by Norwegian Cruise Line

At approximately 167,800 gross tons and accommodating up to 4,000 guests, Norwegian Encore will complete the Breakaway-Plus class, the most successful class in the company’s history. She is currently being built at Meyer Werft, in Papenburg, Germany and will feature many innovative dining, entertainment and recreational activities that guests have come to expect from the industry-leading brand. Following her unveiling, she will cruise out of Miami every Sunday and sail seven-day voyages to the Eastern Caribbean, beginning with her first journey on November 17, 2019 through April 12, 2020.

Norwegian Encore by Norwegian Cruise Line
Love cruising? Also read: World’s largest cruise ship ready for the first voyage

About Norwegian Cruise Line

Norwegian Cruise Line is the innovator in cruise travel with a 51-year history of breaking the boundaries of traditional cruising.  Most notably, Norwegian revolutionized the cruise industry by offering guests the freedom and flexibility to design their ideal cruise vacation on their schedule with no set dining times, a variety of entertainment options and no formal dress codes. Today, Norwegian invites guests to enjoy a relaxed, resort-style cruise vacation on some of the newest and most contemporary ships at sea with a wide variety of accommodations options, including The Haven by Norwegian®, a luxury enclave with suites, a private pool and dining, concierge service and personal butlers. Norwegian Cruise Line sails around the globe, offering guests the freedom and flexibility to explore the world on their own time and experience up to 27 dining options, award-winning entertainment, superior guest service and more across all of the brand’s 16 ships.

Norwegian Encore by Norwegian Cruise Line
Also read: Experience bliss on a cruise holiday
Have you ever travelled in a Norwegian Cruise Line cruise ship? How was your experience? Share with us in the comments section below.

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A win for the green at Chilika


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Its a win for the environmental cause. It is also a slap in face for all those who promote mindless fancy projects in name of tourist promotions. The Airports Authority of India (AAI) has been forced cancel the water aerodrome project at the Chilika lagoon following objections from various quarter. However in a face saver it has offered to develop the project in Odisha if the state government provides it with an alternative site. Chilika, the second largest brackish water lake in the world, covers Khurda, Puri and Ganjam districts of Odisha. Situated at the mouth of the Daya River, Chilika is rich in biodiversity and a major tourist attraction in the state.

A colony of flamingos at Chilika

AAI chairman Guruprasad Mohapatra said: “Following a request from the state government to cancel the project as it would affect Chilika’s ecology, we have cancelled the project.” Making it clear that the AAI wants development of the state, Mohapatra said: “If the state government gives any proposal to develop a water aerodrome in the state, we will provide them all help. However, they have to submit the proposal within three weeks.” In June, the AAI had announced to set up aerodrome projects in Odisha, Gujarat, Maharashtra, Andhra Pradesh and Assam. Chilika in Odisha was the preferred site. The civil aviation ministry had given its nod to the Chilika proposal. The ministry also cleared Gujarat’s Sardar Sarovar Dam and Sabarmati River Front for similar projects in the first phase. But it is said that ministry didn’t consult all concerned stakeholders before giving the nod. If sources are to go by, the Ministry only took into consideration data and information related to tourism at Chilika but did not take on board the key stakeholder, Forest and Environment Department of the State. Although there has been claims by the the Civil Aviation Ministry about a joint team conducting a study, Chilika Development Authority (CDA) was apparently not consulted.

Fishermen in Chilika Lake in Odisha, India

In a letter to chief secretary A.P. Padhi, the AAI chairman had said: “The Airports Authority of India plans to set up water aerodromes. For starting amphibious aircraft operation in Odisha, Bhubaneswar airport and Chilika lake have been shortlisted for a pre-feasibility study. The government will identify the site in Chilika.” Odisha initially had not objected to the proposal. A team of experts from the Centre had visited the area and conducted a study. Subsequently, environmentalists and the Chilika Development Authority (CDA) raised objections. BJD leader from Chilika area and Brahmagiri MLA Sanjay Das Burma and Khurda MLA Rajendra Sahu had objected to the proposal. BJP had slammed BJD for opposing the Centre’s efforts to boost employment in the area. However, the saffron party’s own MLA Dilip Ray had supported the BJD.

Also read: Winter Play for migratory birds at Chilika

Everywhere around, you can find a colony of migratory birds at Chilika

In a letter to the state government, chief executive, CDA, Sushanta Nanda had said: “Operation of seaplane and water aerodrome at Chilika, the world’s second largest brackish water lake, is likely to cause irrevocable damage to the ecosystem and livelihood of people dependent on it. The cost involved in the operation of seaplane seems to outweigh the benefits likely to accrue from it. Besides, legally the project is not feasible.” The operation of the aerodrome at any given location in the lake will have far reaching adverse consequences on its fragile ecosystem, the CDA maintained. He had also said: “The legal provisions under Wetland Conservation and Management Rule, 2017, are applicable to the internationally acclaimed Chilika wetland site. The rules strictly prohibit its conversion for non-wetland use. Construction of aerodrome is therefore not legally permissible as Chilika is a wetland site.” Such an aerodrome would require water runway for landing and take-off while associated facilities would have to be developed for docking sea aeroplanes, taxiway, apron, tourists’ entry check-in, re-fuelling, beacon lighting, offices, staff buildings among many things.

An amphibious aircraft

“Chilika is ecologically too fragile and precious for such experiments. Besides direct risks that are associated with plying aircraft in an area known for its mass congregation of birds, fuel and lubricant spills, emissions, noise pollution etc, ancillary development that will precede and follow the setting up of an aerodrome will only negatively impact the lake’s ecology,” says conservationist Aditya Chandra Panda.

Nalabana bird sanctuary

The CDA maintained: “With one million birds congregating in the lake, the operation of seaplanes will be hazardous to winged species as they will either be sucked in the engines or be hit by the planes during its landing. The possibility of bird hit will also pose a threat to air travellers.” For six months between October and March, Chilika turns into a temporary habitat for lakhs of migratory and residential birds. The lake is home to 230 bird species, of which 97 are intercontinental migrants from Arctic and Eurasian regions. It saw congregation of close to 9 lakh birds during the last winter. For a majority of resident bird species, the 1100 sq km lagoon is a prime breeding site. It also holds a notified protected area, Nalabana Bird Sanctuary, which is spread over 15 sq km. The lake supports over 225 birds, 260 fish apart from 37 reptile and amphibian and 18 mammal species besides a large varieties of flora.

Rajahamsa island in Chilika lake

According to CDA, the birds are not only a major tourist attraction, but also help to recycle nutrients back into the ecosystem through “guano deposits”. Guano, the accumulated excrement of seabirds, is rich in nitrogen, phosphates and potassium- nutrients that spur the growth of vegetation. When birds forage the water, the vegetation in it thins and enables free movement of fish. If the bird population shrinks, livelihood of about two lakh fishermen dependent on Chilika is at risk, the report warns. Moreover, seaplanes have limited passenger carrying capacity which means that such a project may not add significantly to tourism. Besides, Chilika is extremely well-connected by road communication.

A sea gull playing around a Irrawaddy Dolphin in Chilika lake

The CDA had cited that noise from the flights would distract the Irrawady dolphins, an endangered species found in the lake, which have highly sensitive hearing. Noise pollution generated by close to 10,000 boats has already taken a toll on the endangered Irrawaddy dolphins in the lake. The amphibious aircraft operation would have add to the woes. As many as 155 endangered Irrawaddy dolphins were spotted in Chilika, which is the single largest habitat of this species in the world and is also one of two lagoons in the world that shelter them. After clearing the lake of illegal man-made enclosures, dolphins have now started moving freely in all sectors. Meanwhile, the Odisha government has decided to regulate boat operation in the lake following the death of six passengers in a recent boat tragedy. It has made life jackets mandatory for tourists and GPS on the boats.

A fisherman adjusting his net in Chilika lake

Have you ever been to Chilika lake? Do you think it needs a water aerodrome? Share your views in the comments section below.

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Helsinki’s cultural quarter gets a new skylight!


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Finland’s capital Helsinki has gained a major new cultural institution and a striking new public space with the completion of Amos Rex. The art museum opens after a five- year, €50 million project designed by architecture firm JKMM, which has seen the refurbishment of the landmark 1930’s Lasipalatsi building in Central Helsinki. At the heart of the museum, 13,000 cubic metres of rock has been excavated to create a new 2,200 sqm world-class flexible gallery space topped with a series of domes and skylights that form the new undulating landscape of the Lasipalatsi Square.

Photo: Mika Huisman/Amos Rex

Amos Rex’s exhibition programme extends from the newest, often experimental, contemporary art to 20th-century Modernism and ancient cultures. Amos Rex aims to present captivating and ambitious art refreshingly and exuberantly. The goal is for the past, present and future to produce unique experiences and surprising encounters beneath and above ground, and on the screen. Amos Rex opens with Massless, an exhibition by the Tokyo-based digital art collective teamLab, which will run until 6 January 2019. In the early half of 2019, Amos Rex will present a retrospective of the Dutch art collective Studio Drift as well as Rene Magritte: Life Line, the first major exhibition of this pioneer of the surrealist movement in Finland. These exhibitions will run in parallel from 8 February to 19 May.

Amos Rex 20180708 Amos Anderson museo, Helsinki. Credit: Tuomas Uusheimo

The opening of Amos Rex is said to be one of the biggest events to occur in the cultural life of Helsinki for a generation and will offer unrivalled facilities for the display of art, exhibitions, film and performance. Art used to be something we hung on the wall and went respectfully to contemplate. Today art is increasingly interactive and conversational. It is something people make and experience together. Contemporary art finds all the time new forms and new media and this is exemplified in the work teamLab. teamLab’s immersive and participatory digital artwork is a fantastic way to demonstrate the expressive possibilities opened up by new galleries. Digital technology has allowed art to liberate itself from the physical and transcend boundaries, and it can turn the relationship between people in the same space into a positive experience.

European art scene: Brussels shines the spotlight on contemporary art

Vortex of Light Particles, which has been especially created for this occasion, will be the largest installation in the exhibition. It will create a digital simulation of water pouring upward in reversed gravity towards the uniquely and beautifully domed ceiling, flowing from this underground space to the skylight above. The trajectories of these simulated water particles will form a series of lines, which will in turn create waterfalls and vortex all along the walls and ceiling of this space.

Amos Rex 20180620 Bio Rex, Helsinki. Credit: Tuomas Uusheimo

Amos Rex is the latest addition to the buzzing cultural quarter of Helsinki, which already includes the Kiasma Museum of Contemporary Art, Helsinki Music Centre, Alvar Aalto’s Finlandia Hall, the National Museum of Finland, the Finnish Museum of Natural History, the Ateneum Museum, Helsinki Art Museum (HAM) and the soon-to be completed Oodi Central Library. The centrepiece of the new museum is a 2,200 sqm gallery space created beneath the Lasipalatsi square which will offer the curators of Amos Rex the opportunity to accommodate large scale works of art and performance, and to stage exhibitions, installations and performance in a hugely flexible space with a high degree of technical control.

Also read: A year to celebrate the art of circus

The refurbishment of the 1930’s landmark together with the new museum extension are remarkable additions to Helsinki’s urban culture.The square adjacent to Lasipalatsi is one of the most important public spaces in Helsinki. Now the newly landscaped Lasipalatsi Square with its gently curving domes will be received as a welcome addition to Helsinki’s urban culture.

Have you ever witnessed the Finnish art scene? Please share your experiences with us in the comments section below.

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This full moon experience the Kandy Esala Perahera

Held annually in the full-moon month of ‘Esala’, the Kandy Esala Perahera is the ultimate celebration and showcase of Sri Lanka’s rich heritage and vibrant culture. The significance of the month of ‘Esala’ (which falls on July or August) is that it is believed to commemorate the very first teaching imparted by the Buddha, following his enlightenment. Conducted in reverence to the sacred Tooth Relic of Lord Buddha which is contained in the ancient palace of Kandy known as ‘Sri Dalada Maligawa’, the flamboyant annual procession unites Sri Lankans from all corners of the island and draws culture enthusiasts from across the globe. This year, the Kandy Esala Perahera is taking place from 16th to 26th August in its usual series of colourful Kumbal Peraheras, Randoli Peraheras and vivacious ritualistic ceremonies.

Read more: Dalada Maligawa houses Buddha’s sacred tooth as relic

Majestic origins and timeless rituals

With an origin rooted in centuries passed, The Esala Perahera in Kandy is one of the oldest and most significant of all Buddhist festivals in Sri Lanka. The Sinhalese term ‘Perahera’ refers to a procession of ceremonial musicians, drummers, dancers, singers, acrobats,whip crackers, flag bearers, sword carriers, fireball dancers and various other performers accompanied by a large number of elaborately adorned elephants parading the streets in celebration of a religious event. Primarily hosted to honour the sacred Tooth Relic of Lord Buddha, the Esela Perahera is also conducted with the intention of beseeching blessings from the divinities for bountiful rains and a prosperous harvest, as well as an intercession to shower blessings on the people. The illustrious ten-day festival commences with the ‘KapSituveema’ – a ritual where young jackfruit trees are planted in the premises of each of the four ‘Devales’ (Shrines of God) dedicated to the four ‘Guardian Gods’ Natha, Vishnu, Katharagama and Pattini, and ends with the traditional ‘Diya Kepeema’ – a water cutting ceremony which is held at the Mahaweli River at Getambe in Kandy.

Read more: Peradeniya, Kandy – Much beyond botanical gardens

A flamboyant fusion of history, culture and religion

Exploring every facet of Sri Lankan culture and Buddhist heritage, the Esala Perahera features an endless variety of traditional local dances, including graceful Kandyan dances, striking whip and fire dances and many other folklore inspired performances. During each perahera, a myriad of festively dressed Kandyan drummers, eastern percussionists, singers and acrobats along with mahouts chaperoning dazzlingly embellished tuskers and elephants take to the streets to illuminate and enliven the procession.The entire route of the procession is decorated with  countless lights which are beautifully synchronized with the proceedings and performances of each Perahera.

Read more: An orphanage for the mighty at Pinnawala

An idyllic base in the heart of the bustling festivities

The Kandy Esala procession that is held annually to pay homage to the Sacred Tooth Relic of Lord Buddha

Located 116km away from Colombo, in Sri Lanka’s scenic Hill Country, Cinnamon Citadel Kandy is nestled in the heart of the city of Kandy, making it the ideal base for those traveling from far and wide to view the Perahera. Set against the picturesque backdrop of the Knuckles Mountain Range shrouded in varying degrees of mist, and built to resemble the majestic realm of the last Sinhalese kings, Cinnamon Citadel Kandy takes you on an enchanting cultural journey and tells you an ancient tale of its own. The resort bears many vivid features in the form of vibrant tones of red and traditional Kandyan art, which evoke a rich cultural presence and a true sense of regal luxury. Cinnamon Citadel’sample verdant gardens which are located near a tranquil bend in the Mahaweli River offer a quaint and tranquil atmosphere for guests to relax and unwind after a long and exuberant day of crowding alongside the streets to witness the magnificent Esala Perahera.

Also read: A lot of tea and a bit of Ramayana at Nuwara Eliya

Idyllically located amidst all the action, Cinnamon Citadel Kandy will once again join the nation in celebrating the grand festival, whilst offering a convenient base from which guests can experience and enjoy the bustling festivities during the Perahera season.

Have you ever visited Kandy or have been witness to Kandy Perahera? Share your experiences with us in the comments section below.

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A timepiece for the adventurers on the top of the world!

The award-winning Favre-Leuba Raider Bivouac 9000 recently demonstrated that it’s not just a timepiece – but a mountaineering tool that redefines reliability. Recently, the Bivouac 9000 broke records becoming the only watch in the world to reach the top of the world – the summit of Mt Everest.  Record-breaking mountaineer Adrian Ballinger and his team battled biting cold temperatures of -40 degrees C and lower, in the harshest of conditions, noting that “at 8,800 meters, the Raider Bivouac 9000 performed flawlessly all the way to the summit of Mt Everest.” 

Moving towards the summit

Coinciding with the 280th anniversary of Favre-Leuba, the Bivouac 9000 previewed during Baselword 2017 and was officially launched on the consumer market in October 2017. Within months of the launch, the watch won the prestigious 2017-18 Watchstars ‘New Star’ award for the best new watch to enter the market. The Raider Bivouac 9000 is indeed a ‘New Star’, but it pays homage to its 1962 predecessor with the same name. The core idea of the aneroid barometer is taken forth from the original Bivouac but the engineering and functional capabilities of the Bivouac 9000 ensure the watch’s performance, innovations and precision mechanics once again redefine expectations and hold true the brand claim of conquering frontiers. 

Performing in tough conditions is Raider Bivouac 9000

The retro-futuristic Bivouac 9000 is the ultimate timepiece tool for adventurers, especially mountaineers as it shows the altitude using an aneroid barometer. The watch’s altitude/ barometer indicates short term changes in weather based on atmospheric pressure enabling mountaineers to determine if they should proceed to the summit or take shelter. It also helps them better understand their current geo-position, vital knowledge especially during low visibility conditions when it’s hard to determine distance to a destination, as well as providing climbers with a more accurate location to broadcast in case of an emergency rescue mission. For sailing explorers, the barometer is a dynamic indication of whether to change the navigation course due to unforeseen meteorological conditions. 

Adrian Ballinger at the summit with Raider Bivouac 9000

Even at the top of the world – the Bivouac 9000 demonstrated just how it’s redefining reliability and strength of engineering. As Ballinger testified – the watch performed flawlessly throughout the gruelling climb to the world’s highest peak, unaffected by the extreme weather conditions which would have affected the battery life of most digital watches. Favre-Leuba’s Raider Bivouac 9000 showed that it’s a watch with a mission – to never fail even against the harshest conditions.

Inside the Bivouac 9000:

  • The watch’s barometer features an airtight capsule made from a special alloy. The capsule expands when the air pressure drops as the wearer climbs, and contracts when the air pressure rises during the descent. 
  • The 48mm titanium case is engineered for optimized performance (altimeter/legibility), featuring a bidirectional rotating bezel to keep track of altitude based on atmospheric changes.
  • Hand-wound FL311 movement, based on the EMC 3903M caliber; specially designed mechanisms for altimeter and power-reserve indicator; power reserve of 65 hours 
  • Hours, minutes, small seconds, central hand to display altitudes of 3,000 m per full rotation, subdial for displaying altitudes of up to 9,000 m and air pressure in hPa, power-reserve indicator, date display 

More about SWISS masterpieces! Read: A marathon on ice for preservation of water!

Favre-Leuba is the second oldest active Swiss watch brand, with a rich heritage in watch engineering and designing spanning over 281 years. Led by eight generations of the Favre family until the 1980s, Favre-Leuba was acquired by the Tata Group on November 16th, 2011. With the global scope of the Tata Group behind it, Favre-Leuba is now transitioning a legendary brand into the contemporary while continuing to cherish that which its forefathers breathed life into, the art of watch engineering. Not many can claim the power of history and own a piece of it. Today – Favre-Leuba is creating historic legends to be cherished for those that believe that being exemplary is just the start of their own legend. 

Have you used any such timepiece for adventure? How was the experience? Share with us in the comments section below

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World’s first ANGRY BIRDS WORLD entertainment park opens in Qatar

You would have enjoyed the Angry Birds game, but now it is time to enjoy the Angry Birds entertainment park. And, it’s unique. The world’s first ANGRY BIRDS WORLD entertainment park has opened its doors to residents and visitors to Qatar, transforming the classic bird-flinging game into a cluster of high-octane attractions designed to entertain every member of the family. Located in Qatar’s largest fashion, dining and entertainment destination, Doha Festival City, the 17,000 sq.m park comprises an indoor space of 6,500 sq.m. 

Inspired by the popular digital game, the park offers its visitors a heart-pounding experience with many attractions such as the Blast Bomb – a drop and twist tower that features free-fall motion from a height of 11 metres, or Red Alert where visitors are hurled into an exhilarating 360-degree spin.  One of the park’s uniquely impressive attractions is the Big Tree, which offers both children and adults a fun edutainment experience encompassing science, music and art.  

For adventure junkies, the tree also houses “Own the Sky”, a 106-metre zip line that allows participants to cut through the air at rip-roaring speeds. Visitors can also test their physical strength with “Fierce Flight” – an incredible ropes course challenge.  

ANGRY BIRDS WORLD is a new addition to Qatar’s expanding urban and family entertainment offering, which tourism officials have marked as a priority in a five-year strategy designed to diversify visitor source markets. Qatar’s entertainment portfolio includes a range of exciting festivals, celebrating everything from food and shopping to music and comedy. The country’s longest nation-wide festival – Qatar Summer Festival – kicked off this June in tandem with the Russia FIFA World Cup 2018, with fan zones in venues and hotels across the country designed to give a taste of what is to come in 2022 when Qatar hosts the FIFA World Cup. 

Simo Hämäläinen, Senior Vice President, Brand Licensing at Rovio Entertainment, commented: “Our new world-class attraction based in Qatar is another clear demonstration of the global appeal of the Angry Birds brand. Rovio’s current licensing roadmap is strongest to date, bringing great new ways for our fans to enjoy Angry Birds. The brand’s future looks bright and is being spearheaded with the theatrical release of The Angry Birds Movie 2 in September 2019.”

ANGRY BIRDS WORLD constitutes one of the four major entertainment parks that are introduced by Trimoo and set to open at Doha Festival City, located along Al Shamal Road. Upon completion, the unique entertainment destination will be home to –  SNOW DUNES™ – the country’s first indoor snow park set in an ancient Arabian village; VIRTUOCiTY™ – the region’s first dedicated digital gaming and entertainment hub; and JUNIVERSE™ – the world’s first city in space that aims to inspire and entertain children.

Angry Birds World in Numbers 

  • World’s 1st Angry Birds World entertainment park 
  • Over 20 high-quality thrilling rides
  • Over 17,000 sq.m of mad fun (6,500sq.m – indoor  | 10,500sq.m – outdoor)
  • Trampoline Park – 1,300 sq.m
  • Roller Glider – 106m long
  • Super Slingshot Tower 42m high | capsule can reach 60m high
  • 1st indoor/outdoor karting track in the world  (1st multi-level karting track in the region, 261m track length | 11 Go Karts)
  • Over 70 arcade games
  • How about snagging450 sq.m retail area 
  • Refuel on the goMore than 7 Food & Beverage options

Have you ever been to a theme based entertainment park? Share your experiences in the comments section below.

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eat! BRUSSELS, drink! BORDEAUX goes for big innovations in seventh year

On 6, 7, 8 and 9 September this year, the eat! BRUSSELS, drink! BORDEAUX festival will once again take over Brussels Park. The public will be able to go there to discover the signature dishes of about twenty Brussels chefs. To achieve the perfect balance and introduce new combinations, some fifty Bordeaux wine growers and wine merchants will be offering a wide range of wines that illustrate the simplicity, diversity, quality and accessibility of Bordeaux wines. A wonderful opportunity for Brussels residents and visitors to treat themselves to a delightful moment of relaxation and conviviality.

eat Brussels

The eat ! BRUSSELS, drink! BORDEAUX festival has again called on the best Brussels chefs. The seventh festival is full of innovations:

• A wider variety of restaurants. Several new chefs who have emerged from the Brussels scene will take part in the adventure to introduce the public to their emblematic dishes.

• For this year’s festival, a cheese bar and a dessert counter will be introduced to round off the chefs’ offerings. Every day, the cream of our cheese makers and pastry chefs will take turns introducing visitors to new flavours.

• This year, the Bordeaux Wine School is breaking new ground with the “secret gaming table”. The game is modelled on black jack and the participants are invited to bet on the characteristics of the wine in a blind tasting. The age of the wine, its flavours, its “appellation d’origine contrôlée”, etc. The bets are open and good humour guaranteed.

eat Brussels

Twenty-odd Brussels chefs

New chefs representative of Brussels are joining the celebration and will be enriching the festival’s offering. They will each be presenting visitors with a signature dish that symbolises their culinary identity, costing just 9 euros!

The unmissable TCHIN VITTEL zone

The TCHIN VITTEL zone offers visitors cooking workshops throughout the festival. In the company of the talented bistronomy chef Bruno Antoine, they will concoct their bistronomy box, which they will then be able to enjoy in a friendly atmosphere.

eat Brussels

Innovations

Dessert counter

Several great pastry chefs will take turns every day to complete the festival menu. They will be offering sweets lovers delicious dessert selections at the set price of 9 euros. Bordeaux wine growers and wine merchants will be glad to recommend you a wine that makes a perfect match for your dessert dish.

The chefs:

Nikolas Koulepis – Pâtisserie Nicolas Koulepis Anaïs Gaudemer – Cokoa Loic Henon & Joaquim Braz de Oliveira – Forcado Yasushi Sasaki – Pâtisserie Sasaki

Cheese bar

There is nothing like tasting a selection of cheeses accompanied by an excellent Bordeaux wine. Why not have a sweet wine with a blue cheese? This year, eat! BRUSSELS, drink! BORDEAUX is offering you the chance to meet several great Brussels cheese makers. They will introduce you to new flavours with their original selection.

The cheese makers:

Julien Hazard – Julien Hazard Affineur Véronique Socié – La Fruitière

Hélène Milan – Le Comptoir du Samson Octave Laloux – Saint Octave

Simply Bordeaux

eat Brussels

The Wines of Bordeaux, a key partner in the festival, are once again taking part in this gastronomical journey. The festival is a unique opportunity to discover the merits of the wines of Bordeaux and to meet nearly 50 Bordeaux wine growers and wine merchants who will share their passion in a congenial and relaxed way. These men and women who make the wines of Bordeaux will tell you their stories and share their anecdotes. These easy-to-drink, accessible wines, the result of the meticulous blending of several grape varieties, will thrill people’s taste buds. A unique opportunity to discover the new, fresh and fruity Bordeaux reds, the dry white wines, the rosés, clairets and sweets wines which make wonderful apéritifs and go well with all styles of cooking. Wine pairings devised for the occasion will also be offered for the chefs’ dishes, the desserts and the cheese boards presented at the festival.

The Bordeaux Wine School workshops

(c)VISITBRUSSELS -E.Danhier

The Bordeaux Wine School tent offers a straightforward and entertaining overview, so that you no longer mix up Merlot and Cabernet Sauvignon, can match food with wine or even, quite simply, put your sensations into words. This year in addition the “secret gaming table”, festival goers will be able to explore new workshops on the subject of wine and gastronomy. The Wine School is joining forces with the chefs attending the festival to present unexpected wine pairings. The mouth-watering Choco’Bordeaux will thrill gourmets’ taste buds… All the workshops will be accessible with the WINE PASS.

The Bordeaux “Master classes”: another way of exploring the wines of Bordeaux Comfortably installed in the very beautiful Salle des Guichets of the BIP Building, novices and well-informed amateurs are guided through the estates and regions of the Bordeaux grands crus. 4 master classes will enable you to explore a Bordeaux wine family in more depth:

  • Sweet Bordeaux Master Class: a master class on the original pairing of sweet white Bordeaux wines with Belgian cheeses
  • Crus Classés de Graves Master Class: the Crus Classés de Graves will be presented in Brussels for the first time. The 2014 vintage will take pride of place
  • Master Class on the great wines of the Médoc: the Conseil des vins du Médoc [Wine Council of the Médoc] will introduce 6 “appellations” by way of 4 different vintages (2005, 2011, 2012 and 2015)
  • Grands Crus Classés de Saint-Emilion Master Class: a stroll through the prestigious Grands Crus Classés of Saint-Emilion
eat Brussels

Enjoy cashless!

BORDEAUX has switched to a cashless payment system. Visitors can obtain their swipe cards from one of the ticket offices, put money on them and use them as they please throughout the festival. This swipe card picks up your credit and/or Wine Pass. To pay for your drinks, simply place your swipe card on the cashless terminal and payment for the credits or tastings is automatically deducted. The chosen formula is simple. One credit is worth 1 euro.

eat Brussels

The dishes

All the chefs offer their signature dishes, their desserts and their cheese boards at a single price of 9 credits (i.e. €9). The credits are valid all over the festival site for buying dishes, soft drinks, beers and/or coffees.

Bordeaux wines:

Bordeaux wines can be discovered through a tasting route. Visitors must acquire a Wine Pass for this purpose (charged to their magnetic card). This Wine Pass is available on presale until 30 June at the price of 15 euros. The price will then change to 16 euros (€20 at the door) and includes, among other things, no fewer than 10 tastings (7 “Tent” tastings + 3 tastings of your choice), one Wine School workshop, one Omer beer tasting and one Vittel water. A great way to discover the wealth and subtlety of the wines of Bordeaux.

Have you have enjoyed Bordeaux wines? How was your experience? Please share with us in the comments section below.

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SMURFS: A BELGIAN CREATION READY TO TOUR THE WORLD

Holy Smurf! Come along to an unusual immersive experience that will prepare Belgians (and all Earthlings) for Smurf life. In 1958, Belgian writer Pierre Culliford, also known as Peyo, fell in love with the mischievous little blue gnomes while writing a Johan and Peewit story (The Flute with Six Holes). Sixty years later, Smurf Village 2.0 has come to the Brussels Expo. Come and meet Peyo’s star creations from 9 June 2018 until the 27 January 2019 in Hall 4. Their empire includes more than 50 million comics sold in more than 90 countries, 272 TV episodes broadcast in more than 100 countries, 41 YouTube channels, 3 feature-length films and 4 theme parks. If you haven’t heard of the Smurfs by now, ghastly Gargamel will turn you into salt dough! 

2018: YEAR OF THE SMURFS

Only a country as Smurf-tastically surreal as Belgium could name 2018 the ‘Official Year of the Smurfs’. The Minister of Foreign affairs is mobilising his global network of diplomats for this special occasion. Brussels Airlines is also transforming an Airbus A320 into a colourful ‘Aerosmurf’ (take a look at the background). Over the years, Peyo’s little blue gnomes have become the most authentic ambassadors for Belgian humour and values. The Smurfs made their debut in the world of comics in 1958, as minor characters in one of Peyo’s earlier Johan and Peewit medieval adventures. In order to celebrate the Smurfs’ sixtieth birthday in style, the IMPS society wanted to use their copyright to the Smurf universe to create a major event to celebrate Peyo’s impressive legacy. This initial idea was coupled with the creativity and know-how of Stéphan Uhoda and his team. This association gave life to The Smurf Experience.

LED BY SEASONED PROFESSIONALS

The Smurf Experience is a fully immersive show. ASBL L’Usine à Bulles will be responsible for production and creation, as part of a co-production with DC&J Création. Meanwhile, operations will be led by Cecoforma (Uhoda group), an organisation specialised in communication and events. They are well known in Brussels and Wallonia, and have a strong international network. Leading this unusual project is Stéphan Uhoda, chairman of L’Usine à Bulles and CEO of Cecoforma. Born in 1953 in Liège, Uhoda is a culture and heritage aficionado. He joined his family’s service station business after studying at the University of Liège Administration and Business School.

Also read: Smurfs are coming to Brussels Ice Magic!

In 1978 he went on to manage the company. Cecoforma was involved in the technical assistance sector, in both Belgium and abroad. Uhoda diversified in 1990 after the Wallonia Region bought Cecoforma on behalf of the European Commission. In 2016, he acquired Dynamic Events, a B2B and B2C event management company. As a collector of contemporary art, Stéphan Uhoda has also invested in a number of cultural institutions in Liège. “Arts and culture are sources of inspiration for people, including entrepreneurs. The Smurf Experience is a project that is at the intersection of different kinds of work that the Uhoda group carries out. Above all, it was the product, the Smurfs, which convinced us to take on this project. The Smurfs are an amazingly powerful communication tool for spreading important messages,” says Uhoda.

To bring the Smurf Experience to life, L’Usine à Bulles called on seasoned professionals, starting with set designer Marcos Viñals Bassols from Barcelona. He studied interior architecture at the Institut St Luc, followed by set design at La Cambre. He has worked extensively with Belgian directors and producers. He was responsible for, amongst others, the set design for the Battle of Waterloo Memorial. “I was raised on comics, Peyo’s work in particular. Nowadays, children grow up to cartoon Smurfs on the TV, in cinemas or on YouTube,” explains the designer. “The main challenge to overcome in the Smurf Experience set was how to translate the expectations of the different target audiences (children and ‘big kids’) into something coherent.” Meanwhile, L’Usine à Bulles chose Mario Iacampo as executive producer of the project. He is the managing director of Exhibition Hub, an international exhibition creation, production and distribution company. They have worked on projects such as Van Gogh-The Immersive Experience and The Art of the Brick, which showcased Lego sculptures of American comic-book superheroes.

IMMERSION 2.0 IN SMURF WORLD

From 9 June, the Smurfs are in Hall 4 of the Brussels Expo for six months. They are inviting you to join them in an incredibly immersive world for an unusual adventure that is fun and educational in equal measure. Visitors will feel like they’ve been shrunk to Smurf-size (thanks to out-sized interiors and characters) as they explore the enchanted world full of discovery and danger. In nine unique spaces covering a total of 1,500 m2, visitors can get a taste of the Smurf lifestyle, speak their language and fight their longstanding enemy Gargamel.

What is the Smurfs Experience? By diving into a giant comic strip, visitors will go deep into a magic forest to reach the Smurf village. They will taste a magic elixir in Papa Smurf’s house that will turn them into Smurfs themselves. Far away, Gargamel is working on a terrible machine that will destroy the village’s climate, our climate. Visitors will have to brave the enchanted forest, avoiding terrible traps that lead to the infamous Gargamel’s lair. They will need all the Smurfs’ help if they are to capture the evil wizard and destroy his awful invention. The adventure has a happy ending and visitors are invited to the village party where they can learn the Smurf dance!

PERFORMING ARTS AND TECHNOLOGY

By using the latest technical innovations, this immersive Smurf experience has a realistic interactive dimension. Animated hologram Smurfs are incorporated in the spaces. A computer graphic Gargamel, trapped in a cage, interacts with the audience thanks to live motion capture. There are giant projections on tarpaulins thanks to video mapping and technology developed by Faceshift means visitors can look into a virtual mirror and see a Smurf version of themselves reflected back! There will also be several amazing virtual reality experiences for them to try out. “This technology was specially adapted for the Smurf Experience through the creation of unique content. One of the big moments in the Experience is a virtual reality section where visitors escape Gargamel and fly back to the village on a stork. It’s a gripping, realistic flight!” says producer Mario Iacampo. Dirty Monitor is the company which developed the different apps used in the Smurf Experience.

“We wanted to present the Smurfs as modern characters that have moved with the times, not as old trolls with white beards, no offence Papa Smurf. Since their inception, Peyo’s blue gnomes have always had this amazing capacity for reinvention and relevance. We have ensured that all the technology can be used by all our visitors, young or old,” adds Chloé Beaufays, the Smurf Experience spokesperson.

The performing arts are present throughout this ambitious show. Throughout the visit there are different activities involving characters in costume. Two of them are at the entrance in a comic strip frame to talk to visitors. Others work Grumpy Smurf, Lazy Smurf and Jokey Smurf puppets from a 120cm stand. “These actors share spontaneous interactive moments with the audience. They can adapt each performance to their reactions,” says Mario Iacampo.

DEFENDERS OF UNIVERSAL VALUES

Part of the show’s appeal is the values the Smurfs espouse: honesty, courage, tolerance, solidarity and generosity. They have healthy lifestyles and care about protecting the environment. “These universal values transcend age, gender and culture, and it’s in this spirit that the Smurf Experience was created. The Smurfs’ values encourage you to reflect on the modern world,” explains Véronique Culliford, the CEO of IMPS.

In 2016, the Smurfs were chosen as ambassadors for 17 sustainable development goals (SDG) set out by the United Nations. 195 countries adopted these goals in 2015. The SDG correspond to three main objectives to be fulfilled between now and 2030: end poverty; protect the planet and guarantee prosperity for everyone. They have been chosen as the themes in the educational content incorporated in the Smurf Experience. Seventeen objects scattered throughout the visit embody the SDG and are accompanied by information sheets and projections. For example, there is a washing line for gender equality, a safe to reference the eradication of poverty and a rolling pin is a symbol of reducing economic inequality. There are also teaching materials for school groups which have been produced with the different education systems in the north and south of Belgium in mind. These materials are available in the three national languages.

“The SDG are a fabulous resource for making young children think about sustainable development,” says Marcos Viñals Bassols. “What’s more, as the Smurf Experience is expected to go on tour around the world, particularly in countries where children don’t necessarily know about the pressure our planet is under, this educational message takes on even more importance.”

A SHOW PARTLY FUNDED BY TAX SHELTER

With a 5 million euro budget, the Smurf Experience is an ambitious immersive show. A fifth of the budget came from Tax Shelter, which expanded to performance arts in 2017. Combining performance with innovative sound, image and set technology, the Smurf Experience corresponds perfectly to the newly expanded Tax Shelter framework. By using this funding source L’Usine à Bulles has collaborated with the DC&J Création cooperative, Tax Shelter specialists Inver, the Theatre de Liège and Theatre Jean Vilar.

The Smurf Experience also relies on the support of several private and public partners. Its main sponsor is Daoust, a Belgian human resources company that was named Business of the Year 2016 (Ernst & Young, L’Écho) and Best Career Transition Company at the HR Excellence Awards 2017. Daoust will be sporting Smurf colours throughout 2018. “The Smurfs are an important source of our national pride. Our collaboration with the Smurfs highlights the Belgian roots our family business holds dear. Beyond this Belgian spirit, this collaboration was a no-brainer as Daoust and the Smurfs share common values such as respect, friendliness and being family-oriented. These values are really at the heart of our famous “Welcome to the Family!” motto explains Giles Daoust, company CEO and recently named Young Top Manager in The Entrepreneur Awards.

Also read: Comic festival unveils great new features this year

BNP Paribas Fortis, as well as other public institutions (the National Lottery, Brussels Region and some of its organisations such as Visit Brussels, the Wallonia-Brussels Federation and the German-Speaking Community) are also lending their support to the Smurf Experience.

AN INTERNATIONAL CALLING

In 2019, the Smurf Experience will set out on a five-year world tour. The sets, the storyline and the technology incorporated in the show were planned so that they can be adapted to a range of audiences around the world. Several interested parties from Europe, the Middle East and Asia have been in touch, before the Experience had even been launched. Peyo’s little blue gnomes have succeeded in the fantastic feat of becoming ambassadors for Belgian heritage around the world.

ONCE UPON A TIME…

It all began on 23 October 1958 in the pages of the Belgian magazine Spirou. Johan and Peewit were the heroes of a comic set in the Middle Ages. A little voice appeared on the 36th page of their ninth story saying, “Can’t you look where you put your Smurfs? You nearly smurfed me!” Then a little blue-skinned gnome popped up from behind a stone. It led Johan and Peewit to the village. The Smurfs had made their début in Peyo’s world. Nobody could have imagined that this modest beginning would mark the start of a global phenomenon. As minor characters in “The Flute with Six Holes”, they could have disappeared after “the end”, but the audience’s enthusiasm made that impossible. From then on, Peyo took them on their own adventures, firstly in short stories in a smaller format, then in a series of full size albums the success of which grew and grew.

Thirty-six albums later, with more than 50 million albums sold around the world, the Smurfs have become international icons of Belgian comics. But these mischievous little blue creatures soon leapt off the pages and onto our cinema and TV screens, and digital platforms. ‘The Smurfs and the Lost Village’ came out in 2017. It was the third feature-length animated film starring Peyo’s mini heroes and the first full-length CGI (computer generated imagery) animation. A new 3D animated series is planned for 2020. The Smurfs also have their own official YouTube channel available in 41 languages. They star in musicals and are special guests at theme parks in Antwerp, Dubai, Malaysia and Moscow (in 2019), and soon they will be heading to China too.

PEYO: A MODEST, SELF-TAUGHT MAN

Pierre Culliford (known as Peyo) was born in Brussels on the 25 June 1928. He had to work from the age of 15, starting out as a cinema projectionist, then moving on to working in a cartoon studio. The studio closed and Peyo decided to move on to comics. He published comic strips in a wide variety of daily papers, but it was difficult at first.

He did not become successful until he joined Spirou magazine. With fellow artists Franquin, Morris and Roba, their work formed a milestone in humorous European comics. After the Smurfs appeared, Peyo continued working on the adventures of Johan and Peewit, as well as Poussy the cat, and he created Benoît Brisefer, a boy with super-powers (known variously as Tammy Tuff, Benny Breakiron and Steven Strong in English). However, the global success of the Smurfs meant they ended up taking up all his energy. He devoted himself to them and their destiny (in all its forms) until his death in 1992. There are qualities that were embodied in Peyo’s art and were key to the success and timelessness of his work: clear storytelling, a poetic sense of humour, an effective style and constant creativity, not forgetting key values which transcend generations such as tolerance, belief in the future and respecting others.

Studio Peyo was founded in 1964 and trained several big names in Belgian comics, such as Derib, Gos and Walthéry. Six illustrators (three of whom were trained by the father of the Smurfs) still carry on Peyo’s work today. One of them is Thierry Culliford, Peyo’s son, who cowrites new stories with Alain Jost and Luc Parthoens. The 36th album, ‘The Smurfs and the Dragon of the Lake’, came out in March 2018.

Some statistics about the power of the Smurf brand

• 700 active licences

• 100 million Schleich figurines sold

• 1 billion dollars of annual revenue generated by selling retail products

• Over 75 million video game downloads

• 1 Smurf Haribo eaten every minute around the world

60 YEARS OLD AND STILL GOING STRONG

The opening of the Smurf Experience on 9 June was one of the key moments in the “Official Year of Smurfs”, which is packed full of events.

• Since 24 March, one Brussels Airlines Airbus A320 has been flying with a Smurf makeover.

• In April, the studio that creates the Smurf comics created a special drawing for the 60th anniversary of the Atomium. It is on display in front of the kid’s sphere.

• On 24 May, the Expo Peyo, an exhibition telling the life story of the great comic artist, opened in the Centre Wallonie-Bruxelles in Paris (opposite the Pompidou Centre). The exhibition is on until 28 October 2018

• On the 19 June, a Smurf mural will be officially unveiled close to Brussels Central Station (next to the Hilton Brussels Grand-Place). A second fresco will be inaugurated in Rochefort.

• On the 31 August, the Smurfs will once again serve as mascots at the Memorial Van Damme athletics event.

• In September they will be guests of honour at the 9th Brussels Comic Strip Festival.

• In October, the Smurfs’ birthday month, (their actual birthday is 23 October), a heritage book about Peyo’s work will be released.

Also read: A lot for comic lovers in Brussels this year

Have you ever been hooked by cartoon strips like Smurfs?  How far you can travel to be part of this experience? Please share your experience in the comments section below!

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Comics Festival unveils great new features this year


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Comic Book Festival
BOZAR © visit.brussels – Eric Danhier

There are not many comics festivals in the world like the now famous Brussels Comics Festival in the European capital. To mark its 9th year, from 14–16 September 2018, the Brussels Comics Festival contains its own batch of novelties. This year the brave Alix is celebrating 70 years of existence and will be honoured right through this weekend dedicated to the 9the art. Since its inauguration in 2010 by visit.brussels, the Comics Festival has come a long way. Launched after a year dedicated to Brussels about the 9th art, each year the Comics Festival welcomes nearly 100,000 visitors and more than 250 comics artists.

Comic Book Festival
Parc de Bruxelles – Warandepark © visit.brussels – Eric Danhier

This year, the Comics Festival will once again be taking up its place in Brussels park where the traditional tents will be pitched over 14, 15 and 16 September coming. Aside from the regular giant balloon parade or the rally of cars drawn from the huts of the greatest comics, the Comics Festival offers lovers of the genre talks, screenings, signings and other activities suitable for all.

Comic Book Festival
Parc de Bruxelles – Warandepark © Visit Brussels – Jean-Paul Remy

For its 9the year, this unmissable event for comics fans has its own batch of new features:

• The courageous Alix will be honoured throughout the festival. From the exhibition poster to the Balloon’s Day Parade, the Gallic hero will be present everywhere.

• There will be two exclusives exhibitions:

o “Alix–The art of Jacques Martin”:This is the show-piece exhibition of this year’s festival. In collaboration with the publisher Casterman and the Royal Museum of Arts and History (Parc du Cinquantenaire), it will be produced by all parts for the Comics Festival. This will bring together around 150 original drawings arranged by topic (historical references, treatment of women and homosexuality, treatment of the imagination, etc.) situated among the permanent museum collections in the Parc du Cinquantenaire and will be on display for 4 months.

Also read: A lot for comic lovers in Brussels this year

o “Live in Fran Disco”–Thierry Van Hasselt/FMK(Wallonia-BrusselsFederation): This exhibition honours the winner of the Wallonia-Brussels Federation Prize for Comics (Prix Atomium 2017), Thierry Van Hasselt/Fremok for his work “Live in FranDisco”.

Comic Book Festival
BOZAR © Visit Brussels – Jean-Paul Remy

• A Smurf balloon will be appearing in the Balloon’s Day Parade.

• An exceptional comics improv contest: “Spirou vs Fluide Glacia: the clash!”In recent months, a curious tension has been noted in the relations between SPIROU and FLUIDE GLACIAL, two monuments of the comics newspaper press. No holds barred, it seems. As a sharp observer of this battle, Thierry Tinlot, former head editor of the two newspapers, has put himself forward as a referee and proposed an improv match during the comics festival! The only weapon of choice: humour! Players and artists will be defending the honour of their respective magazine. We’re talking here about Berco and Munuera siding with Spirou, and Mo/CDM and Ju/CDM with Fluide… Provided, however, this means the two publications don’t mutually destroy one another. This super-original face-off is taking place at BOZAR. In collaboration with the Belgian Professional Improvisation League.

• Lastly, there was one publisher missing from the Comics Festival. A very important publisher from the north of the country: The Comics Festival is proud to welcome Standaard Uitgeverij this year.

Comic Book Festival
BOZAR © visit.brussels – Eric Danhier

Second edition of the Atomium Comic Strip Prizes

Comic strips are an art that has fallen from favour in recent years. It has often proved difficult for professional comic strip artists to make a living from their work. visit.brussels, in close collaboration with the Brussels-Capital regional government, highlights the city’s support for creativity and brings together existing initiatives in awarding mainly cash prizes that will help the winners to finance their work.

Comic Book Festival
Parc de Bruxelles – Warandepark © Visit Brussels – Jean-Paul Remy

In 2017, as part of its 8th edition, the Comics Festival presented the Atomium Comic Strip Prize for the first time. Some 7 prizes, worth a total of 100,000 euros, were presented in September 2017 in BOZAR. Building on this success, the Comics Festival is reliving the experience in 2018, while expanding the concept even further: no less than 9 prizes will be given out for a total amount of 115,000 euros. The sponsor of the second awards ceremony will be French screenwriter Fabien Vehlmann, author of the series “Seuls” and “Spirou and Fantasio”.

Comic Book Festival
Parc de Bruxelles – Warandepark © visit.brussels – Eric Danhier

So if you love comics, then Brussels is place to be for you this September.

Have you ever been at Brussels Comics Festival? Share your experience with your favourite comic characters.

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Riding this Eel is indeed electrifying

SeaWorld San Diego threw open Electric Eel —  San Diego’s tallest and fastest roller coaster with astounding loops, twists and airtimeon May 10, 2018. Featuring multiple-launch experiences, Electric Eel propels riders forward and backward as they speed through the ride’s station house accelerating to more than 60 miles per hour in seconds. Riders then rocket skyward nearly 150 feet where they will brave an inverted “heartline” roll and a twisting loop for an exciting feeling of airtime as riders crest the top before breathlessly returning to the station.

“Electric Eel will bring a whole new level of excitement to SeaWorld,” said SeaWorld San Diego’s Park President Marilyn Hannes. “This new, first-of-its-kind coaster at SeaWorld will give riders the rare opportunity to feel what it’s like to move like an eel as they twist and flip along nearly 900 feet of undulating track.”

Complementing the Electric Eel roller coaster is a hypnotic live eel habitat featuring a collection of moray eels. The eel habitat, located at the eastern edge of the Ocean Explorer realm and already part of the guest experience at SeaWorld, features large viewing windows where visitors can plunge into the world of the eel as they swim and dart through the caves and crevasses of their naturalistic deep-ocean environment.

The Electric Eel attraction area will also feature an interactive educational experience called  Mission: Deep Discovery, which will allow a team of one to four players to embark on a virtual deep sea adventure aboard a manned-vehicle while they encounter the marvels of the deep ocean.

“We always strive to provide new reasons to visit SeaWorld and give our guests experiences that matter with a blend of exciting rides and incredible animal and educational experiences,” said Hannes. “We want our guests from around the world to not only have a great time, but be inspired to care about the ocean and the animals that live there.”

Electric Eel joins Manta and Journey to Atlantis as the third coaster-type ride experience at SeaWorld San Diego. It is located on an approximately 2-acre site on the eastern side of the park between Ocean Explorer and Journey to Atlantis. The new coaster is an expansion of the park’s Ocean Explorer realm, which opened in summer of 2017 as part of the park’s largest new attraction premiere in its history, also including the inspiring documentary-style Orca Encounter; and the summer nighttime extravaganza Electric Ocean, a nighttime transformation of the park into a sea of glowing color and energy, inspired by the phenomenon of ocean bioluminescence. Electric Ocean is set to ignite at SeaWorld on June 16 and light up the park on select dates through Sept. 2, 2018.

SeaWorld is open 365 days a year and is located on SeaWorld Drive off of I-5. Park admission is $89.99 for ages 10 and older; $84.99 for ages 3–9.

SeaWorld Parks & Entertainment™ is a leading theme park and entertainment company providing experiences that matter and inspiring guests to protect animals and the wild wonders of our world. The company is one of the world’s foremost zoological organizations and a global leader in animal welfare, behavioral training, husbandry and veterinary care. The company collectively cares for what it believes is one of the largest zoological collections in the world and has helped lead advances in the care of animals. The company also rescues and rehabilitates marine and terrestrial animals that are ill, injured, orphaned or abandoned, with the goal of returning them to the wild. The SeaWorld® rescue team has helped more than 31,000 animals in need over the last 50 years.

The company owns or licenses a portfolio of recognized brands including SeaWorld, Busch Gardens® and Sea Rescue®. Over its more than 50-year history, the company has built a diversified portfolio of 12 destination and regional theme parks that are grouped in key markets across the United States, many of which showcase its one-of-a-kind zoological collection. The company’s theme parks feature a diverse array of rides, shows and other attractions with broad demographic appeal which deliver memorable experiences and a strong value proposition for its guests.

Have a look at a video of this Electrifying Eel on my YouTube channel by clicking on the link below-

Have you ever had such an amazing roller coaster ride? Share your experience with us in the comments section below!

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