Hampi is indeed one of the most prominent heritage sites in peninsular India. In our childhood, we all had been deeply associated with stories of Raja Krishna Dev Raya (Krishnadevaraya) and Tenali Raman (Ramkrishna). It is always fascinating to be there where all those immortal stories of Vijayanagara empire would have taken place. Hampi is also a place which can be included in our monsoon travel itineraries. Having there been in monsoon, I can safely say that it is one of he best time to visit Hampi. Summers are indeed a torture here and winter would be fun but it is the monsoon which brings the best out of this historical place in Hemakuta hills of Karnataka.
So here are few images from monsoon travel in Hampi, starting with the Virupaksha temple. Few striking ones to begin with- views of Virupaksha temple from the Hemakuta hills:
Right before the rain-
During the rain…
…and immediately after the rain
See, how the colours change so dramatically. Virupaksha Temple is the heart of Hampi, as this is the temple which is centre of all activities in Hampi- markets, bus stop, restaurants, shops- all are in surrounding areas of Virupaksha temple. This temple dedicated to Shiva is considered to be one of the holiest and most sacred in Hampi. Hence it gets the most steady stream of visitors, all the year round. It is main centre of pilgrimage to Hampi.
Temple has a history that dates centuries earlier than the birth of Vijayanagara empire. Although this region of Hampi has mythological association with Ramayana, but the temple history is available only from 7th century onwards. But indeed during the rule of Vijayanagara empire that this temple reached to its glory. It was also amazing that though Raja Krishnadevraya was a vaishnavite, but it was the Virupaksha temple dedicated to Shiva that represented the glory of his empire.
Once you enter through this gopuram, you come to the outer courtyard of the temple.
In the outer courtyard, there are many smaller shrines and mandapams.
From this outer courtyard, through another smaller gopuram, we enter the main inner courtyard, which houses the main shrine and mandapams. Some views of the inner courtyard.
….and the right!
In the image below you can see the main pillared hall on the left and mandapams on the right, which were used in the past by the pilgrims to stay while visiting the temple. In the front is the same main gopuram, through which we entered the temple. Pillared hall in the left quite rich in architecture as well as sculptures. This hall also has some inscriptions related to Krishnadevraya.
Temple has gone through various phases of renovation and restoration. In the image below you can see the difference between the original work (towards right) and restored work (towards left).
Temple got different types of constructions. While the gouprams have been prepared with brick, main hall has beautifully sculpted pillars. Some of the pillars are even in black marble. Inner sanctum sanctorum of the temple is quite rich in its sculptures.
Just behind the main shrine at an upper level is this display of the photography technology. In a dark room there is a hole in the wall (left on the image below) You can see the main gopuram from this hole. But this small hole actually coverts itself into a pin-hole camera and hence through this pin-hole you can see an inverted image of the gopuram (below right) on the wall just opposite the hole. Looks astonishing. It is unlikely that the hole would have been originally created that way. But it would have been interesting to know, how and when this phenomenon was discovered here.
Moving out, it is almost ritualistic for the pilgrims to feed the temple elephant (image below). This elephant is normally used in festivals and processions.
Erotic sculptures: But my story of the temple won’t complete without referring to these It seems that erotic sculptures were part of temple architecture in down south as well, at least in medieval times when Krishnadevaraya would have renovated these temples. Although the sculptures don’t have finesse of the ones of 9th and 10th century, that we find in North India, or even of Kalinga region, which might have inspired few of Krishnadevaraya’s ideas around Hampi.
But more striking are the sculptures on the main gopuram of the Virupaksha temple. They are big, although due to height of the gopuram, they are not clearly visible to naked eyes from the ground level.
Interestingly, some of the poses in these sculptures are quite different to what I have seen anywhere else in India. (You can click on the images to have a bigger and clearer view). That makes me wonder about the idea behind them. Its is very unfortunate that we don’t have any authentic account on origin of these type of sculptures in this temple. Perhaps no inscriptions, only hearsay.
Due to these sculptures, I had often considered Virupaksha temple as one of the top erotic temples in India. It is very interesting to have different insights while visiting a temple of this huge cultural and historical importance.
Reaching Hampi: Virupaksha Temple is in heart of Hampi, close to bus stand. Hampi is located in Bellary district of Karnataka. Although closest big city to Hampi is Hospet, just 12 kms away. Hospet is also the closest railway station. Hospet is located on National Highway 63 which connects Ankola to Bellary via Hubli. Hubli is 160 kilometres from Hampi and has the closest airport to the erstwhile capital of Vijayanagara empire. Hubli is in Dharwad district and also has a railway station. There are also many daily trains from Hubli to Hospet which normally take between 2.30 hours to 2.45 hours to cover the distance. Actually Hubli is on railway line connecting Madgaon in Goa to Hospet. Similarly, you can also come by train from Pune-Kolhapur to Hubli and then move to Hospet. From Hospet you can even take a taxi or auto rickshaw to Hampi. Hubli is also the second biggest city in Karnataka after capital Bengaluru. Bengaluru is bit far from Hubli- roughly 335 kilometres.
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