The hitherto unknown pair of sculptures by Michelangelo Buonarroti from 1494 was presented to the public at a media conference on September 8, along with an explanation of the detailed study of the sculptures by the “Art Research Foundation”.
The study analyzes the plausibility of the object’s time of origin using technical and scientific methods.
An analysis report on the pigments and bonding agents has been written by Professor Dr. Hermann Kühn of Munich. The examination of the surface and the sequence of layers in the cross sections and their appearance under the microscope clearly verify that the paints represent the first or original polychromy. In addition, the analyses of the pigments and bonding agents confirm the time of origin as circa 1494 and the country of origin as Italy. Prof. Dr. Kühn has also written a report on the state of preservation of the Atlantese consoles, in which the pair of sculptures is described as being in a very good state, bearing in mind that the wood sculptures are more than 500 years old and still in their unspoiled, original condition, including the painting.
The 14C-dating was carried out by Dr. G. Bonani of the Institute for Particle Physics at the Swiss Federal Institute of Technology. The dating of the wood, which was performed using AMS (Accelerator Mass Spectrometry), showed that the assumed age (1494) was in the calibrated time frame (dendrocorrected), with a 100% probability.
Only when the period of creation had been proven beyond any doubt could the analysis in the context of art history be embarked upon and stylistic comparisons drawn with confirmed works. In the study, the subject of Atlantes putti consoles is identified in 52 cases in the authenticated works of Michelangelo. For comparisons with the authenticated work in the context of art history, the overall design of the figures was identified in 71 cases, with 79 stylistic parallels from head to foot drawn in detail and documented in more than 100 photographic plates.
In addition, it was impossible to find a single stylistic element on the sculptures which could not have been matched with the authenticated work. This fact should dispel any remaining doubts that this pair of sculptures are in fact the work of Michelangelo. (PR Newswire)
I always knew that authenticating artifacts must be a process, but it’s interesting to hear about how intensive it is (and with good reason, of course!). How awesome is it that we have a new pair of sculptures from Michelangelo??
Indeed, two more to cherish upon!